Edgar Bainton 1880 - 1956

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A Gallery One
Lost Empires: the music halls
Ralph Vaughan Williams 1872-1958
In the Fen Country and Norfolk Rhapsodies
A Song Of The High Hills
Frederick Delius 1862-1934
Along The Downs: The Countryside Collection
Ashley Hutchings 1945-
The English Music Festival
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By Footpath and Stile
Gerald Finzi 1901 - 1956
English Light Music
Peter Warlock 1894-1930
The Spirit Of England
Sir Edward Elgar 1857-1934
The Spirit Of England. (Opus 80)
Samuel Coleridge-Taylor 1875-1912
The Romantic Violin Concerto - 5
Sir Arthur Somervell 1863-1937
A Treasury of English Song
Sir Charles Villiers Stanford 1852-1924
The English Anthem - 8
Percy Whitlock 1903-1946
The Salley Gardens
On Wenlock Edge
Bredon Hill
Roger Quilter 1877 - 1953
Ivor Gurney 1890 - 1937
Songs by Roger Quilter
Severn Meadows
Sir Arthur Bliss 1891-1978
A Knot Of Riddles
Sir Granville Bantock 1868 - 1946
Sappho and Sapphic Poem
Sir Arnold Bax 1883 - 1953
Symphony No. 5 and The Tale the Pine-Trees Knew
Herbert Howells 1892 - 1983
The St. Paul's Service
Coope Boyes and Simpson
Triple Echo
Old Swan Band
Edgar Bainton 1880 - 1956
Orchestral Works Vol 2
Tiger Moth
Show Of Hands
The Path
More English Folk

Edgar Bainton and daughter Helen in 1942

Edgar Bainton was born in London, the son of a congregational minister, he later moved with his family to Coventry. He showed early signs of musical ability playing the piano, he was nine years old when he made his first public appearance as solo pianist. In 1896, he won an open scholarship to the Royal College of Music to study theory with Henry Walford Davies . In 1899 he received a scholarship to study composition with Sir Charles Villiers Stanford. At college he met and became friends with George Dyson, William Harris and especially Rutland Boughton, whose friendship and support continued throughout Bainton's career. Bainton kept a notebook listing nearly all his compositions, the first entry is his first known surviving work, Prelude and Fugue in B Minor for piano, written in 1898.

In 1901 Bainton became piano professor at the Newcastle upon Tyne Conservatory of Music. He became involved in the local musical scene, composing, playing and conducting and in 1905, he married a former student, Ethel Eales, with whom he had two daughters. He became the Principal of the Conservatory in 1912, and acquired property for its expansion. The family lived in Stocksfield, near Hexham, Bainton would take long country walks, frequently accompanied by Wilfred Gibson, who introduced Bainton into the literary circle surrounding Gordon Bottomley. Bainton set many of Bottomley's poems and wrote an opera to one of his lyric dramas. He introduced his local area to previously unknown works by Gustav Holst, Ralph Vaughan Williams and Arnold Bax amongst others. He developed friendships with poet George Dodds, and cathedral organist, William Ellis.

In the Summer of 1914 Bainton visited Germany to attend the Bayreuth Festival, but was arrested and interned at Ruhlebena Prisoner-of-war camp, near Berlin, where he remained for the next four years. Bainton was put in charge of all the music at the camp and became acquainted with Ernest Macmillan and Edward Clark amongst other later successful musicians, he maintained many of these friendships throughout his career. In March 1918 his health deteriorated and he was sent to The Hague to recuperate. Following the Armistice, he became the first Englishman to conduct the Amsterdam Concertgebouw Orchestra in two concerts of British music before returning to England.

Bainton's life returned to normal and he resumed work at the Conservatory. His choral works became features of the Three Choirs Festivals. Touring Australia and Canada from April 1930 to January 1931, he took a break from composing, and from August to December 1932 he visited India, giving a piano recital for the Indian Broadcasting Company. The noted poet and musician Rabindranath Tagore made him a guest in Calcutta and introduced him to Indian music. In 1933, Sir Edward Bairstow awarded him an honorary Doctor of Music at Durham University.

The New South Wales Conservatorium at Sydney had been impressed by his display of skills in 1930 and offered him the directorship in the Summer of 1933. Accordingly, in 1934 Bainton and his family started a new life in Australia.

Bainton conducted the choral and orchestral classes at the Conservatorium, and founded the Opera School. He introduced Australia to new works like Elgar's Symphony No. 2 in 1934 and The Dream of Gerontius in 1936. Coincidently with Bainton's arrival in Sydney there were moves to form a permanent professional orchestra for the Australian Broadcasting Commission, New South Wales Symphony Orchestra (later becoming the Sydney Symphony Orchestra), Bainton conducted their inaugural concert in 1934.

Music previously unheard in Australia was introduced by him, such as Arnold Baxs Third Symphony, works by Claude Debussy, Jean Sibelius, Frederick Delius, and William Walton amongst others. At the Conservatorium he helped native Australian composers such as Miriam Hyde, Percy Grainger and Alfred Hill.

At his peak in 1944, the premiere production by the Conservatorium Opera School of Bainton's The Pearl Tree, received acclaim from the press and public alike. An additional night's performance was given due to demand, at which a bust of Bainton was unveiled in the foyer. Because of work regulations, Bainton retired aged 65, he continued to conduct (temporarily with the New Zealand Orchestra), and performed lecture tours in Canada. In 1956, a heart attack severely affected his health - his wife had died not long beforehand - and on the morning of December 8, he died on the beach at Point Piper, New South Wales.

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